Sing for the morning’s joy Cecilia…

Our O Sing Aloud! programme covers a broad musical spectrum – and not all of it is about St Cecilia who, unsurprisingly, has inspired many composers to put pen to (paper) score.

Here’s a few examples to whet the appetite for November 23.

Purcell’s Ode to St Cecilia was commissioned in 1692 by the “Gentlemen Lovers of Musick” and, set a poem by the Rev Nicholas Brady, features 13 movements praising the saint, music, and instruments. It’s a bit of a benchmark piece as it heralds the start of the English secular choral tradition. At the time of composition, St Cecilia Day celebrations were civic entertainments staged for the entire population. For musicians it was a commercial venture and the Odes were performed in public concert halls. Our concert features three excerpts from work.

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The stars clearly combined when Benjamin Britten came along.s He was born on St Cecilia’s Day (November 22) and so his Hymn to St Cecilia must have been somewhat inevitable. Although it wasn’t an easy process: Britten initially had problems in finding a suitable text which led to a request to poet WH Auden who produced the words in 1940. Much of the music was composed while Britten was in America but when he returned to England in 1942 US customs officials confiscated the first part, believing it was some kind of coded message. Britten had to rewrite the entire first section from memory.

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Haydn was only young when he wrote Missa Cellensis in honorem Beatissimae Virginis Mariae – otherwise known as the St Cecilia Mass.  And he also had to write it from memory after the original manuscript was lost in a fire in1768. Seldom performed, it’s a heady mix of intricate fugues and elegant melodic lines.

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Herbert Howells wrote his Hymn to St Cecilia using words from poet Ursula Vaughan Williams (aka Mrs Ralph Vaughan Williams) and, harking back to 17th century tradition, was commissioned by the Livery Club of the Worshipful Company of Musicians. Set for four-part choir and organ, it premiered on November 22,1961, in St Paul’s Cathedral.

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If anyone was going to get a -er- Handel on all of this it was George Friedrich with his 1739 cantata Ode for St Cecilia’s Day.  He, again went to a poet for the text, this time England’s first Poet Lauret John Dryden, with its theme of music being a central force in Earth’s creation.

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Tickets for O Sing Aloud! in St Martin’s Church, Worcester, on Saturday, November 23, are available here.

St Cecilia – a saint of note

We sing about her, we have concerts in her honour – but who was St Cecilia and why is she the patron saint of musicians?

Well she’s thought to have come from one of third century Rome’s aristocratic and wealthy families and was said to have worn sackcloth next to her skin and constantly called upon the angels, saints and virgins to preserve her own maidenhood.

That didn’t stop her being given in marriage to the Roman Valerian but she is said to have spent the ceremony singing ‘in her heart’ to God or listening to heavenly music. No doubt Valerian was delighted when she told him on the wedding night that she had taken a vow of virginity and was now protected by an angel.

Understandably, her new husband was quite keen to see this angel,but his wife told him that wouldn’t be possible until he had travelled part way along one of Rome’s most important roads, the Via Appia and been baptised by the Pope.

This he duly did and returned to see the angel, who is then said to have crowned Cecilia with a garland of roses and lilies. Word of all this reached Valerian’s brother Tibertius who responded with his own baptism and the brothers went on to dedicate their lives to burying those killed for their faith by the city’s then prefect. The siblings were ultimately executed for their trouble.

Cecilia, meanwhile, spent her life preaching and was said to have converted over 400 people as a result but this, too, led to her arrest. She was condemned to die by suffocation in the public baths. However, despite being shut up for around 48 hours as the fires were stoked to a blazing heat, she survived – without even breaking a sweat.

So the city’s same prefect then ordered her decapitation. She was struck three times but lived on for another three days while crowds visited, collecting her blood as she continued to preach and pray.

She is buried under the high altar of her titular church in Trastevere, Rome, and is regarded as the patroness of musicians/music because of all she heard and sang on her wedding day.

Our concert, in St Martin’s Church, London Road, Worcester, comes one day after her feast day, November 22. For tickets please visit our home page or Eventbrite.